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creative
improvisation electro-acoustics performance art image projection |
discog |
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| The intense drone work “Shmulikipod vs. Mishipizhiw” was released in July, 2018 on a split CD with Christian di Vito called Supernatural Creatures on TIBProd Italy. | 3 tracks of drones and noises available on Bandcamp. | |
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| Fuck yeah there will be lemurs is a 2017 collage of 400 animal sounds, and fuck yeah there will be lemurs. 18 different species of lemurs, in fact. Also included is a short Fluxus text score “Animal Charm (For Lisa Kucharski)” performed by the audience of No Shame Theater in Austin, June 2017. Available as .mp3 download via Off - Record Label. | Collage Works collects three different approaches of organizing disparate sound sources, composed from 1996 to 2017. Available as .mp3 downloads via Off - Record Label. | |
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| Drone Works is a new collection of acousmatic electro-acoustic works, available as .mp3/.flac download via Earthlier Records. Featuring contributions from Bill Thompson, Vanessa Arn and James Eck Rippie. | tips for the space tourists documents the 2016 collaboration between Josh Ronsen and Jeff Dahlgren with Will Soderberg. Using electronics and voices, the trio creates a perplexing soundscape evoking the the industrial cassettes of the late 1980s. Available as .mp3/.flac download and CDr via Bandcamp. | |
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| Sudden Empire of Tears is a collection of acousmatic electro-acoustic works, available as .mp3/.flac download or CD in deluxe box filled with art works from Bandcamp. Certain boxes also contain a bonus CD, ANTI-JAZZ. | eliminal CD by the Unpopular Scientists (Reed Altemus and Josh Ronsen) (Fluxus Montana); prepared guitar duos performed live in Boston and Lowell, Mass., May 2013 | |
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| The Doukipudonktian is a work of live electronics, first released as .mp3s on Bremsstrahlung Recordings in 2008, now available on BandCamp. Features Josh Ronsen and Vanessa Arn. | The CD i manage to get out by a secret door was published by eh? / Public Eyesore records. Features creative improvisation contributions from Jason Pierce, Jacob Green, Genevieve Walsh and Glen Nuckolls and electro-acoustic works by Josh Ronsen. Cover photo by Josh Russell. | |
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split CD with Fred Lonberg-Holm available from Cohort Records — Features a quartet improvisation from Jacob Green (oboe, organ, percussion, electronics), Genevieve Walsh (flute, drums, vocal), Glen Nuckolls (electric guitar, banjo, violin) and Josh Ronsen (electric guitar, clarinet). |
“we used to be such good friends” CD (hushroom records), features contributions from Bill Thompson, Jacob Green, Vanessa Arn, Glen Nuckolls and Genevieve Walsh. Cover photo by Seth Tisue. Available from: End of an Ear (Austin), Eclipse (USA); streaming/download on bandcamp. |
Compilations:
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Josh Ronsen also appears on the following recordings: With DISENSEMBLE:
With BRICOLEURS:
With KOAX CHOIR:
With LSJ:
With ABRASION ENSEMBLE:
With ERG/OROGENETICS/N D collective:
With GATES ENSEMBLE:
With FREQUENCY CURTAIN:
With UNPOPULAR SCIENTISTS:
With AUSTIN NEW MUSIC CO-OP:
As sample source or field recording:
WONDERFUL, RANDOM APPEARANCES:
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| “There’s a place for abstract and there’s a place for noise, and there’s a place for every kind of sound, so come on now and tell me why there’s a void.” —Felt, “Ballad of the Band” |