|
![]() |
creative
improvisation electro-acoustics performance art image projection |
discog |
![]() |
||
The intense drone work “Shmulikipod vs. Mishipizhiw” was released in July, 2018 on a split CD with Christian di Vito called Supernatural Creatures on TIBProd Italy. | ||
![]() |
![]() | |
Fuck yeah there will be lemurs is a 2017 collage of 400 animal sounds, and fuck yeah there will be lemurs. 18 different species of lemurs, in fact. Also included is a short Fluxus text score “Animal Charm (For Lisa Kucharski)” performed by the audience of No Shame Theater in Austin, June 2017. Available as .mp3 download via Off - Record Label. | Collage Works collects three different approaches of organizing disparate sound sources, composed from 1996 to 2017. Available as .mp3 downloads via Off - Record Label. | |
![]() |
![]() | |
Drone Works is a new collection of acousmatic electro-acoustic works, available as .mp3/.flac download via Earthlier Records. Featuring contributions from Bill Thompson, Vanessa Arn and James Eck Rippie. | tips for the space tourists documents the 2016 collaboration between Josh Ronsen and Jeff Dahlgren with Will Soderberg. Using electronics and voices, the trio creates a perplexing soundscape evoking the the industrial cassettes of the late 1980s. Available as .mp3/.flac download and CDr via Bandcamp. | |
![]() |
![]() | |
Sudden Empire of Tears is a collection of acousmatic electro-acoustic works, available as .mp3/.flac download or CD in deluxe box filled with art works from Bandcamp. Certain boxes also contain a bonus CD, ANTI-JAZZ. | eliminal CD by the Unpopular Scientists (Reed Altemus and Josh Ronsen) (Fluxus Montana); prepared guitar duos performed live in Boston and Lowell, Mass., May 2013 | |
![]() | ![]() | |
The Doukipudonktian is a work of live electronics, first released as .mp3s on Bremsstrahlung Recordings in 2008, now available on BandCamp. Features Josh Ronsen and Vanessa Arn. | The CD i manage to get out by a secret door was published by eh? / Public Eyesore records. Features creative improvisation contributions from Jason Pierce, Jacob Green, Genevieve Walsh and Glen Nuckolls and electro-acoustic works by Josh Ronsen. Cover photo by Josh Russell. | |
![]() |
![]() |
|
split CD with Fred Lonberg-Holm available from Cohort Records — listen to samples. Features a quartet improvisation from Jacob Green (oboe, organ, percussion, electronics), Genevieve Walsh (flute, drums, vocal), Glen Nuckolls (electric guitar, banjo, violin) and Josh Ronsen (electric guitar, clarinet). |
“we used to be such good friends” CD (hushroom records), features contributions from Bill Thompson, Jacob Green, Vanessa Arn, Glen Nuckolls and Genevieve Walsh. Cover photo by Seth Tisue. Available from: End of an Ear (Austin), Eclipse (USA); streaming/download on bandcamp. |
|
Compilations: | ||
untitled on RRR-500 Locked Groove LP (RRRecords) — viola solo | “for Gerard Klauder” on lowercase 2CD (Bremsstrahlung Recordings) — computer-processed prepared guitar | |
untitled on Phantom Train CD (éditions Suicide Commercial) — electronic music | “for Michael Northam” on Rendering of the Veil CD (Beta-Lactam Records) [listed as brekekexkoaxkoax for legal reasons] — computer-processed bowed cymbal | |
![]() tape piece #1 in Fluxlist Box 1 |
“Distinguished Gentleman in Chicago” on USA/USB CD (Shadow Puppet Recording Company) [listed as Brekekexkoaxkoax for legal reasons] — prepared guitar with Jason Pierce (drums) | |
“Storage Shed” on phonography.org 1 CD (phonography) — location recording | ||
“Scion” on Tensile CD (Labile Music) — acoustic prepared guitar | “Arksheer” on Grain CD (Dot Dot Dot) — electro-acoustic music | |
“a.Lift” on Fluxations CD (XEXOXIAL EDITIONS) — electronic music | 2 pieces on Intersect 3 CD (Pale Disc) — live solo prepared guitar and bowed bass guitar | |
“goats” on Quiet American web site — field recording | “Sof Olam” on Ten Below CD (Petite Sono) — electronic music | |
sample material on Nevermet Ensemble CD (Rudimentol Records) — clarinet, electronics | sample material on Grapple with Inertia Systems CD by Masters of the Ungentlemanly Art | |
“magyar rakevet tatyamee” on phonography.org 6 CD (phonography) — field recording | “ma’vet o’lam (Asiyah)” [label remix] on The Last Signal CD (Independent Opposition) | |
“for Christian Wolff” on Fluxus Anthology 2005 CD — crushed rock | “Zahav M’mutsah” on Golden Mean CD (Bremsstrahlung Recordings) — electronic music | |
“Zamzem” on Countdown 2012 CD-R (Invasion) | “Paper May Say” on 1 Minute Autohypnosis Sex War Noise Faith CDR (Mute Sound) — electro-acoustic music | |
“Bombalobombax” on Node Pajomo Summer 2012 CD (Node Pajomo zine) | “Aspidochelone” & “Rumor Narcosis Factor” on One Minute ((CT) Collective) online compilation | |
“Nephelokokkygia” on Austin Noise 2013 CD (Instincto Records) CD compilation | “Tender Dirt, On the Floor” on Austin Noise 2014 (Instincto Records) CD compilation | |
“Kokopelmana” on Master Cactus Issue #3 (Master Cactus) CS compilation — Moog synthesizer | “Galaktoboureko” on Austin Noise 2015 (Instincto Records) CD/CS compilation | |
“Note: The Demon At 5 O’clock Has Another Demon For A Butt” on Austin Noise 2016 (Instincto Records) CD/CS compilation | “Cognianalogytion” and “Report All Obscene Mail To Your Potsmaster” (a collaboration with {AN} EeL) on {EeL?}?~ Ixer - Vol 1 :?:?Performance Relic on (BandCamp) | |
“Tribute To Esophagus” on Austin Noise 2017 (Instincto Records) CD/CS compilation FORTHCOMING — voices with Jeff Dahlgren and Laura Brackney | “This Space of Time” on Ö-Bits on (BandCamp) & CD — voice and violin samples | |
“No Pipeline for Standing Rock” on Noise Against Racism (Blackened Death Records & HNM Records) online compilation | “Why Animals Avoid Munching On Ferns” on Two Halves : Volume Two on (BandCamp) & CD — analog synthesizer, collaboration with Xathax | |
“Simulated Walk Through Garden Using Even Tracks” and “Simulated Walk Through Garden Using Odd Tracks” on Escardrone (Hushroom Records) online compilation | “I Understand It’s A Giant Insect” and “Distasteful Adbunerakes” on The Best of Contemporary Electronic Music (TIBProd Italy) online compilation | |
Josh Ronsen also appears on the following recordings:
|
||
“There’s a place for abstract and there’s a place for noise, and there’s a place for every kind of sound, so come on now and tell me why there’s a void.” —Felt, “Ballad of the Band” |